• Issue 35,  Poetry

    Someone Mentions Wild Geese Were Kept in Greek Households to Warn the Family of Fire or Intruders When Father Was Off at War

    By Christopher Smith

    photo by Ekaterina Astakhova on Pexels 

    Wade far enough into the valley, the sun marks banker’s hours.
    I sit some shade of darkness two-thirds of every day.

    The figure I relate to in the Phaethon myth: that downy little greenhorn
    presses Phaethon to prove he’s the chariot’s child.

    Who can buy even their own fables about their father?
    Portraits of him waving down a sunbeam. Personal olios

    of corporate fishing retreats, wood block watchtowers, the empty chair
    at back of the theatre.

  • Issue 35,  Poetry

    The Docket

    by Shira Dentz

    photo by Benni Fish on Pexels

    This landing strip has seen many falls—
    shoehorn soft gliding into a shoe
    or curdling against the pressure
    presence of time drifting
    then landing a perfect minimalist
    geometry otherwise known as
    settled like home.

    This landing strip has seen many falls—
    shoehorn left shapely into a shoe or
    curdling against the pressure all
    charisma of time drifting then
    landing a turning minimalist geo-
    me-try otherwise known as
    settled some mummy of home.

  • Issue 35,  Poetry

    utopia

    by mic jones

    art by by Rachel Rava

    a pronoun can be an emergency
    exit a map an experiment
    in emancipation like fire
    embalming coordinates

    let’s make new names what would the world feel
    like if gender was understood
    the way we understand
    a name:
    singular
    subject to change
    sounding different
    depending on
    through whom
    the sound is made

    amid mountain ranges
    screamed like names
    our genders’ echo
    sublime as the valley
    amplifying bodiless-ness
    &

  • Issue 35,  Poetry

    the cinematography of birth

    By Savannah Slone

    photo by Ivan Babydov on Pexels

     


    we were all born during the slow 

    
fast shift of all things, oil on 


    canvas     no time stamp,


    among stained glass and wildlife and 


    a sea of velvet earlobes and disco glitter


    pageantry     while language swelled 

    
into watercolor during telomere 


    replication and 


    extreme weather turned our


    nothings into artifacts of survival or 


    remembrance and colors disappeared 


    underwater,

  • Issue 35,  Poetry

    Sestina for Disinheritance

    By LP Patterson

    photo by Alev Takil on Pexels

    The world has moved on from its earring,  

    from its bells, far away silver and gold   

    that impose, intractably, this burn  

    in sunlight, the hissing sound and mettle.

    The world has moved on as a traveler   

    that reaches the deepest recesses of its mark.  


    Disinherit the world, disinherit the mark

    of your crystal knife fashioned in an earring.

  • Issue 35,  Poetry

    Playing Baseball with a Pocket Knife

    By Christopher Citro

    photo by Allen on Pexels
    Raised by retired parents I have that, why bother
    I'll sit picnic tabled and watch the clouds go by.
    The battle, that position worked out, I see through it all.
    I tear packets, toss the seeds across the open ground.
    The sky can do the rest. This boy burying plastic
    Chewbaccas between beechnut roots, my boy.
    Sit beside me, not too close. Here's how you open
    the knife, straighten the short blade, pull the other
    to an angle, balance it between your legs and
    with a forefinger's soft tip,