Issue 40

  • Issue 40,  Poetry

    Fishing Tale

    art by Denver Boxleitner 

    by Lance Le Grys

    fishing with worms
    from the bank of the river
    I saw the head of Orpheus come bobbing along from upstream
    eyeless and swollen
    I called to it

    is it true that you saw your Euridyce
    before she melted to fog

    the swift current carried it past
    knocking against the bank and the rocks in the riverbed
    dropping my pole I ran alongside keeping pace with the head
    turning up like a barrel it spoke

    it is a lie
    my beloved turned to no mist fools pass on such stories garbled and senseless

    falling into a pool the head paused as it turned in an eddy

    when I turned to see if she followed
    it was not she but the earth
    that melted away
    the rocks dribbled like ice in the sun
    when I reached
    my arms flapped like flat weeds
    against stones in the bed of a river
    it was I who was mist and unconscious

    we were now approaching the white rapids

    what then I cried the river outpacing me quickly before you are lost

    but the head turned over again
    and
    face down in the water
    was sucked into the foam of the rocks


    Lance Le Grys is the author of the poetry collection Views from an Outbuilding (Clare Songbirds Publishing House,
  • Issue 40,  Poetry

    May

    painting courtesy of the MET Museum Archives

    by Leah Skay

    something in the air calls for soft peaches

    and slow forgiveness.

    the rain catches us smitten and selfish with cherries,

    misting us to spare the downpour of yesterday.

    I hold up two fingers and dare you

    to spit the pits of sweet fruit through the goalpost

    to challenge your aim, where you’re going. I

    hope you miss and hit me so we’re square.

    strawberry seeds fly with flesh shrapnel,

  • Issue 40,  Poetry

    Oaxaca in my Jesus Year

    art by Jacelyn Yap

    by Kirsten Chen



    When I came here
    I said I wouldn’t bring death with me
    but it snuck into my suitcase

    and now it’s all over my clothes.
    Death wears me like a period stain.
    Death wears me defiant

    and obvious as a long night the next day.
    There’s a well beneath my eyes.
    There’s a motorbike in my brain.

    It’s distant and spinning
    and at night I am the emptiness
    its highway craves.
  • Issue 40,  Poetry

    Industry and 25th 

    art by Jacelyn Yap

    by James Croal Jackson

    Industry

    So much industry in your mouth– fake a gasp
    as you unzip your pants. Another binge.

    At your worst, you are greed
    and restless enough

    for the pizza to come, for the beer
    you gulp & burp from plastic cup,

    a heap of chicken wings to devour
    without tasting a thing,

    squeezing a flood of ranch out of plastic
    to smear on your lips like ChapStick

    every day but it is only brunch
    on Sunday


    25th

    I wore a gray-black striped shirt.

  • Issue 40,  Poetry

    Haunting of the Early Coal Miners

    art by Amari Becker

    by Susan Wheatley





    No feelings attach to this sentence.
    That's a wonder, not easy in this
    medium where lines break and fall,
    as when the ropes of early English
    coal miners broke in the shafts.

    The miners dreaded the goblins
    on the tunnel walls—but those were
    only fossils, something they didn't know
    then. They only had candlelight.

    The wonder is that they kept
    going down. O dark, dark, dark.
    They all go into the dark,