Hybrid

  • Hybrid,  Issue 42

    VOCABULARY TEST

    image curtesy of the Public Domain Review

    by Steven Mellor



    a car is to . . . a. start a fire with, b. eat on, c. take pictures with, d. ride in, e. draw with

    She circled a. and said absolutely. I said, you don’t want to lose a point. She said
    she didn’t want the point and was sure about her answer. And I knew right then
    I’d go anywhere she wanted to go.

    poor means having very little . . . a.
  • Hybrid,  Issue 42

    One Last Supper Together

    art by Helen Hofling

    by Marie Anne Arreola

    The door is ajar, and it doesn’t occur to me to knock; it is my house, after all.

    The gunshot sounds like toast popping—quick, obvious, almost polite.

    A child holds the weapon, his arms trembling like new branches trying to bluff the wind. I set a hand on his shoulder and ask if he’s okay. He tells me dinner’s ready.

    On the table waits a plate without a fork, a hunger waiting for instructions.

  • Hybrid,  Issue 42

    Money, and 31 Tonight

    art curtesy of the author

    by Elizabeth Schoettle

    Money

    I wish I could draw fairies. That is what I should do today. Go to the art store, buy markers and try to draw some fairies. A purple winged fairy I’d make come to life then have her make me small so we could fly all over the world eating fairy food. There’s nothing left. Stop wasting time; but what do voices sound like, real voices? I don’t know, but I do love the color of this orange shirt I’m wearing.

  • Hybrid,  Issue 42

    Windowsill: Monologue of a Past Self

    image curtesy of the Public Domain Review

    by Ilana Maymind

    I am sitting on a windowsill. My mom says not to sit here. She is not at home now. She is still at work. She just called and said she might be late tonight.
    I love sitting on a windowsill. I love watching people moving behind their curtains. Sometimes they open them wide; then you can see even better. I love sitting here, especially on a sunny day. The windowsill gets so warm.
    Mom says I shouldn’t sit on a windowsill and look into people’s windows.

  • Hybrid,  Issue 42

    Comparing My Inside to Your Outside at the Water’s Edge

    image curtesy of the Public Domain Review

    by HR Harper

    We watch a rising tide together. We avoid the salty foam chugging up to our knees. But we welcome ebbing, with its slick metaphors and clickbait embarrassments. We entangle at the breakwater sitting cheek by jowl on top of the riprap, on these rocks quarried from the channel islands, Anacapa and Santa Cruz.  I look at you, my oldest friend, and see a brotherhood of strangers. I admire your handsome profile and my guts ask for the blessings of impermanence.

  • Hybrid,  Issue 42

    Land of Abundant Language

    art by JJ Cromer

    by Jose Hernandez Diaz

    A man in a “Deltron 3030” shirt fell from his skateboard into a graffitied sewer world. The obscure world was in another universe. The name of the obscure planet was called “The Land of Abundant Language.” There were unusual, sentient beings on this planet. They were roughly 8 ft tall, with sleek bodies in the shape of star fish, red orange in color. They spoke a formal English, somehow, and always used ornate language, but not necessarily in a pretentious manner, they just seemed to sincerely enjoy expression and the adequate elaboration of emotion.