Hybrid

  • Hybrid,  Issue 40

    Dear Perfect Stranger and Nature Poem

    art by Alessandro Avondo

    by Gabriela Halas

    *Content warning: mentions of unwanted sexual attention and aggression

    Dear perfect stranger,

    It’s you again! We’ve met before. Though, your face, admittedly, has blurred with the rest. But I know it’s you. You’re the captain on that ship you keep sailing around my breasts, my face, my car, the bar, the beach, the street. You’re posh and shiny, or middle-class, someone’s dad, and once, no— a few times, you were just some young dude leering too close.

  • Hybrid,  Issue 40

    I  Was Seen

    art by Thomas Vogt

    by Laurie Blauner

    I wanted instruction in something different. So I took a course called “The Photography of Confession” along with Tai Chi and clogging classes. The teacher, Bill, showed us Diane Arbus, Irving Penn, Yousuf Karsh, and Cindy Sherman photographs. He told us why they were good. Which made me think about how we were all pinioned in our own times, with their particular concerns such as identity, perception, and human or animal nature. Everyone knew how to click a photograph. It was always an individual’s point of view,

  • Hybrid,  Issue 40

    A Stroll Through Paris

    art by loulia Lymperopoulou.

    by Lorena Sellin 


    As I was walking back to my overpriced but charming hotel– how Parisian, right?- the air was thick with a subtle undertone of late summer blossoming’s, mingling with muffled sounds of gastronomes closing for the night; bins rattling, and stray cats prowling. The polluted city air had given way to the softness of this summer night, and amidst it all, there was a hint of something I immediately recognized- “Thousand Kisses from Paris “, the latest perfume everyone was talking about. What a stupid name for a perfume.

  • Hybrid,  Issue 40

    You’ve Reached Your Destination, The Circus is in Town, The Upper Parts

    art by Jacelyn Yap

    by Kim Chinquee

    You’ve Reached Your Destination

    We’re on trains and buses, testifying against criminals, then on a late-night plane to somewhere else. Something in my gut doesn’t sit right, and I have a pain beneath my kneecap. I realize, as I write, this is no help to my reader. How can one escape a world that exists beyond the limits of one’s body? What happens after you must sleep and fall into another land? It’s not all dandelions and sunshine,

  • Hybrid,  Issue 39

    Dissolution

    art by Zizanie

    by Maria Kassandrou

    I click my mouse from time to time.

    Not because I always do something. Sometimes I click randomly on the screen, in order to give sonic signs of life; somewhere without consequence—without buttons or links. I stare at the open pdf file, postponing into eternity the reading of that document.

    We’re both extremely quiet, each immersed in our own world. If we didn’t click the mouse buttons occasionally, the whole day would just pass over us. As if we were asleep,

  • Hybrid,  Issue 39

    WARNING: The International Apophenia Society

    by bart plantenga

    Apophenia is the tendency to misperceive connections & meanings between unrelated things; a disorder exacerbated by our times, by social media, by our perceived lack of agency, & by our devastating conviction that over-consumption comes with no environmental consequences.

    I came across artist Alisha Sullivan’s work. Her “In Place of a Better Version of Ourselves” consists of photos of mysterious megaliths placed in a residential setting. She describes them as “inflatable voids” with the dimensions of an average human being … I found them ominous, ghostly, intrusive & I wanted to give a voice to the hapless &