Hybrid

  • Hybrid,  Issue 41

    Capsular, and Excerpts from a Chat with Godbot

    Image curtesy of The Public Domain Review

    by Christopher Phelps

    Capsular

    My first thought was that I hoped the openings in the volcanic rock of my life would be something other than spider-infested holes, something other than empty time capsules, each with a note of I’m sorry, time ran out.

    My second thought was for the spiders, which I didn’t want to insult. Couldn’t they be relocated to their own traps? Was this a specious logic?

    My third thought was that we’re haplessly in charge of this rock,

  • Hybrid,  Issue 41

    It’s Probably for the Best that I Don’t Remember

    image curtesy of The Public Domain Review

    by Sara Flemington 

     

    I pitched a tent on the beach for Jupe. It’d been a while since I’d pitched a tent, but this one was easy, it just popped up. We picked it up from the outlet mall on the way. So now, it’s like we can go anywhere, I told her. Because we can just walk, and when we are tired, stop, pop up our shelter. So, it’s like we are free.

    Like wolves, she said.

  • Hybrid,  Issue 41

    Texts to Sarah across the river

    image curtesy of The Public Domain Review

    by Jeffrey Skinner

    Feeble wind, speak up.  I am not the I am.  Important to note.  Work, for night is coming.  And pick up eggs on the way home, pls.  About your losses.  Have you looked in the space between tic and tock?  I lost a few years there, once.  FOFL.  James Wright taught me rivers.  Everyone should call him James, I think.  Formal sadness.  Wonder if the signal between us is fresh?  Kind of mid, maybe?  The river’s a slow learner.  Churner. 

    Sometimes the moon,

  • Hybrid,  Issue 41

    Sands (With Lyrical Entr’actes)

    art by Catherine McGuire

    by Derek Jon Dickinson

     

    (for S.K.S.)

     

    Parched wind snapping my clothes, shadow billowing like a black sail, or empty net—its taunting vacancy, useless as seawater.

     

    a rook or a bishop, chess-piece

    of the desert

     

    The Atacama plateau—desiccated, rain-shadowed. When our bus stopped at the Chilean border, the young officer dropped my passport in the sand and,

  • Hybrid,  Issue 40

    Self-Portraits as Bestiary

    art by Ami Watanabe

    by Amanda Gaines

    One you is a beaver and a flood is coming. All your fellow beavers say Yeah, of course. There’s always one disaster or another on the horizon. But you are convinced this flood will bring an end to everything you’ve built. You are leaving this colony to join another in two months with your beloved in the hopes that together, you will be able to brace the coming storms as a solid front. You will construct a humble dam where the two of you will groom one another and eat cattails until your bellies distend and watch the eastern sky burn with sequined holes that remind you of all your once-lives.

  • Hybrid,  Issue 40

    Her Lover As Luck Would Have It

    art by Stephanie Ann Farra

    by Dana Salisbury

      

    *
    Headshot--
    one knobby shoulder higher than the other
    narrow torso
    tiny wideset nipples
    swirling chest hair defining sternum, breast, rib cage
    a smattering of old-man arm-hairs

    cocked head
    big red ears
    stringy red neck
    scraggly shoulder-length fine light brown hair
    only fuzz left on top

    high forehead
    lightly furrowed semicircular brow
    solid nose, long upper lip
    craggy cheeks
    short scruffy blond and white beard

    self-accepting eyes
    that look straight at you
    narrow lips
    wide slightly-cockeyed closed-mouth smile
    that would laugh if you will too

    *
    In the bedroom.