Online Issues

  • Hybrid,  Issue 43

    Painkiller, Xaali’s Intervention, and Problem Child

    art by Jean Wolff

    by Chekwube Danladi

    Painkiller

    I was only meant to be in Lagos for one week, staying in an American hotel in Ikoyi

    overlooking the lagoon. I was there to read poetry and teach a writing workshop on decolonizing

    poetics at the British Council, no order to the chaos of the irony. And otherwise order in jollof

    and pizza while avoiding any local probing aunties. Swim, cigarette, and Irish stout in the hotel

    pool after dark.

  • Issue 43,  Poetry

    $100 REWARD LEADING TO RETURN OF LOST BIRD

    art by Virgil Suárez 

    by Marc Weissman

    If he perches on you or shows up please call Ellie immediately ANY TIME. -Ellie

    And if I find you I must stay here with the separate leaves. -A. R. Ammons

    What if he shows up Ellie
    but I don’t

    What if I find him but he’s no longer
    a starling
    he’s a star a constellation
    the wind

    grown beyond recognition
    into Horus falcon-headed
    god of war sky and hunting

    That feels too aggressive for a
    songbird

    We must find him with haste
    he wasn’t ready for release

    I pray for him and you and me
    I don’t think I’m ready for another Sudanese war
    or Shannen Doherty dead at 53
    or inflation in the economic or cosmic sense
    or the unlikely event your bird was caught
    midair by hawk

    smaller than a robin
    bigger than a sparrow

    Like so many posters of signs notices
    missed connections
    you unleash myth and
    more questions

    And if I find him
    on Independence Day
    with dark and light brown feathers
    dark legs and black beak

    by the blue eggshell
    Ford Granada
    his trauma
    won’t rip me apart

    And if I find him I’ll manifest
    a dark cover over him
    and all starlings
    in and under the stars
    lost and found
    alighting


    Marc Weissman is an East Williamsburg-based poet,
  • Issue 43,  Poetry

    Embers

    art by Trevor Cunnington

    by Devin Wilson

    We move like ghosts
    through the house.

    Glaciers glide past
    each other in silence.

    The low hum
    of a submarine

    in the distance.
    The sound broken

    makes. Cracks in black
    ice echo across the life lake.

    Wallpaper curling
    we’ll never fix.

    Someone should
    empty the woodstove.

    Take the bucket out back.
    Be careful of the old canoe

    and there’s a rusty wheelbarrow,

  • Issue 43,  Poetry

    Thirst

    art by Stephen Ground

    by Jesse Wallis

    For the bit of moisture in a dove chick’s brain,
    the Gila woodpecker has been known to drill
    through the soft skulls of unattended nestlings
    while their parents gather seeds. Defenseless,
    the chicks are still alive while this is happening.
    The brooder mourning doves return to carcasses.
    Its forked tongue having never tasted the bitter-
    sweet, fleshy fruit of the Tree of the Knowledge
    of Good and Evil, the woodpecker lives outside
    the airy sphere of right and wrong.

  • Issue 43,  Poetry

    f train to Roosevelt Island

    art by Trevor Cunnington

    by J. Y. Zhang

    in black tunnels the world slows to molasses
    everything subsonic, the yellow lights drunk and feverish
    flickering across the rusted tracks

    you—a knife through the city again
    blue dot blinking then gone

    cutting through, putting distance:
    velocity in your tongue and smoke
    in your unwashed hair
    urine on the tiles, the soles of your feet

    the fact of motion is simple:
    you are headed somewhere
    or your body is—

    but there’s a moment on the line
    when twin trains run parallel
    &

  • Issue 43,  Translation

    The Hunt

    art by Nora Ampova

    by Elena Alexieva.
    Translated from the Bulgarian by Yana Ellis

    The fire engine arrived first. The dirt track, which the locals called Kokiche Street, was too narrow for it. The fire engine was like a toy – red, shiny and rectangular. The track wasn’t muddy, just dusty and overgrown with tall grass and all sorts of weeds. It trailed off in a self-proclaimed small dump for building materials, beyond it lay only the meadows. Even when it was silent, the fire engine commanded respect. Inside it sat four firefighters in dark-blue overalls,