Online Issues

  • Issue 42,  Nonfiction

    I Double Dare You

    art by JJ Cromer

    by Laura Shaine Cunningham

                           

    I invested my 8-year-old friend, the wild child of our slum neighborhood, with the power to save me…and perhaps she did

                I assumed she had died long ago or, as the awful expression goes, was “as good as dead.” The last time I saw Diana, she was eight years old, sitting on the stoop of her apartment building on the mean streets of the South Bronx. She was smoking and dealing cards to a group of older boys.

  • Issue 42,  Nonfiction

    The One I’ve Been Dying To Tell

    art by Robert Thurman
    by Polly Hansen

    Two years ago, I sat on the edge of my mother’s bed and patted her knee, thinking it was my last good-bye. She was ninety-five. I was sixty-seven. We lived over two-thousand miles apart–she in Spokane, Washington, with my older sister, her caretaker, and me in Asheville, North Carolina, with my husband.

    “This may be the last time I’ll ever see you,” I said, thinking she might die before I got out there to see her again. She could go any minute.

  • Issue 42,  Poetry

    At the Wedding of My Transformation

    art by Cynthia Yachtman

    by Cassandra Whitaker



    bride—the moon— moonlit calls for the wolf—-unhinged
    swinging on a door made of borrowed light
    Do I go through or do I remain closed?

    Do I say yes yes or do I know myself?
    to sunlight— I turn regrow my power
    borrowed joy to change the surface of ache

    into a wish catcher a deep pool of want
    the bride understands the wolf appears as she
    unlearns her old name offers to be filled

    the wolf appears it matters little
    where she places danger I am returning
    to fill emptiness to be full of love

    the bride—the moon— bereft of ocean’s ocean—time
    the wolf’s teeth—age worn forgotten almost
    by the wanting wolf inside the bride’s heart

    waiting for the moon recovering from want
    I was once nothing echoing night sounds
    in an emptiness I understood to be night

    I understood it I went into myself
    love changes a name into a new sound
    once I was the moon now—the wolf’s question

    tuned to light’s frequency am I alone?
  • Fiction,  Issue 42

    These Child Stars Were Supposed to be the Next Big Thing and Now They’re Just Joe Sacksteder

    image curtesy of the Public Domain Review

    by Joe Sacksteder

    Amelia Bones, Backyard Paleontologist

    Amelia Bones was not the first young person to imagine that an oddly shaped rock in her backyard was a valuable fossil, but she was the first to have a monstrous Cretaceous-era marine reptile named after her. She began the dig just outside Hurricane, Utah, with her best friend Lisa Leoncavallo during the summer between fifth and sixth grade. But once she realized that this was more than pretend, she feigned waning interest so as to avoid damage to the specimen by her less detail-oriented classmate.

  • Hybrid,  Issue 42

    We Continue Holding, A Girl, Ephemeral Nature of Love

    art by JJ Cromer

    by Isabel Hoin

    We Continue Holding  

    We bled many years ago and continue to bleed the deepest red,
    our hips tender. We prayed to you, in that first moment of
    womanhood— oh, that joyous moment— but you stayed still, a
    face of marble, never answering the calls we sent for comfort.

    Red, our hips tender. We prayed to you, in that first moment
    without our mothers. It is absence we search for in language, a
    face of marble, never answering the calls we sent for comfort.
  • Issue 42,  Poetry

    Picture of My Dad in an Aircraft Carrier

    photo by Kieth Dodson

    by Patricia Aya Williams

    December 1970

    Dad at a desk turning to face
    the camera, left hand on the keys
    of a typewriter, right hand resting
    on an open drawer, white pencil
    lifted lightly, ready to erase
    the mistake he’s just made—
    one that I can’t see—on the paper
    poised in the platen, the clatter
    of type his quick fingers command
    momentarily stalled.
    The carrier’s walls—color of dirty
    dishwater, hospital grunge,