Droste Effect
art by Helen Hofling
by Samuel Piccone
Someone I love tells me the world is a house
I’m always running into by running from,
that flowers begin staling the moment
they flower, so enough already with the flowers.
A flower is a body, and a body is also a container
for every atom it will never hold—
imagine filling a room with so many remainders.
Dear God, enough already. With running. With oblivion
and flowers. Someone I love tells me
no one will if I don’t start closing my mouth
to breathe. When I pray, I’m too open. Bless me
a bed in the shape of a house,
render my body the window I’d always dreamed
lay somewhere on the surface of the world.
To watch the world watch her own two hands
fiddle with each our little infinities
is to love every second of it. The way flowers bloom
in the shape of a bed and of nothing.
Dear God, there’s too much
and never enough. Someone I love tells me
they will times oblivion, will go
threshold to darkening threshold
to find and keep me. They swear nothing matters
except the person who makes you
feel as at home as when you look in a mirror.
They mean infinity,
I think.

Samuel Piccone is the author of Domestica (University of Arkansas Press, 2026), winner of the 2025 Miller Williams Prize. His work has appeared or is forthcoming in publications including, swamp pink, Frontier Poetry, Washington Square Review, and RHINO. He serves as poetry editor at Raleigh Review, and is an assistant teaching professor at Iowa State University.

Helen Hofling is a Baltimore-based writer, editor, and artist. Her work has appeared in Epiphany, Gulf Coast, The Hopkins Review, Prelude, the Seneca Review, and elsewhere. She is a member of the PEN Prison and Justice Writing Project, and she teaches writing at Loyola University Maryland. www.helenhofling.com.


