Fiction

  • Fiction,  Issue 42

    Two Flash Fictions

    art by Jenn Powers

    by Zach Murphy

    The Limbo

    The cicadas are extremely loud this summer, and so are my mother’s outfits. The leopard print high heels, the oversized sunglasses, and the hat sprouting pink flowers are some of the more understated pieces in her wardrobe.

    “You don’t hear about the sun when it’s behind clouds,” she once told me as she put on her beet-red lipstick in the mirror. 

    My mother always looks so beautiful, even when she’s sad. Every time she comes back from the Friday night Limbo parties at Brunson’s down the block,

  • Fiction,  Issue 42

    Pacifier and Museum Trips

    photo curtesy of the author

    by Arthur Mandal

    Pacifier

    I have a memory of my father burning one in front of me as a child. It drips plastic fire between us, onto the ground, and I’m screaming insanely as a ball of burning yellow flame grows bigger and then gradually smaller from the pinched fingers of his hand.

    Every so often, the lesson would be recollected and re-articulated, something along the lines of: “We all need to have our metaphorical pacifiers burnt in front of us now and again.” Even when I was fifteen,

  • Fiction,  Issue 42

    Goodbye from the Edge of the World

    art by Richard Hanus

    by Angie McCullagh

     

    Half hidden by the filmy curtain, I watch a man wheel a human-shaped bag from the house across the street, the gurney rattling over exposed concrete. With hands shrink-wrapped in blue Latex, he shoves the gurney into the back of a station wagon and lowers the tailgate with a muted thunk.

    Redheaded triplets live with their two mothers in that house.

    I text my neighbor Carla to ask if she knows who died but she doesn’t answer.

  • Fiction,  Issue 42,  Translation

    Almost

    art by Marc Angel

    from Siiigns by Samuel Hamen
    Translated from the Luxembourgish by Rob Myatt

    It wasn’t always easy growing up the son of government employees. Most people can’t imagine what it’s like. Or they don’t want to imagine, as is my right, mind your own beeswax, they shout, talking about us like that, you moron. But, I respond, taking this opportunity to write back to them, it’s just as much my right to counter your narrative. Either way, while most of them say it’s about their rights,

  • Fiction,  Issue 42

    These Child Stars Were Supposed to be the Next Big Thing and Now They’re Just Joe Sacksteder

    image curtesy of the Public Domain Review

    by Joe Sacksteder

    Amelia Bones, Backyard Paleontologist

    Amelia Bones was not the first young person to imagine that an oddly shaped rock in her backyard was a valuable fossil, but she was the first to have a monstrous Cretaceous-era marine reptile named after her. She began the dig just outside Hurricane, Utah, with her best friend Lisa Leoncavallo during the summer between fifth and sixth grade. But once she realized that this was more than pretend, she feigned waning interest so as to avoid damage to the specimen by her less detail-oriented classmate.

  • Book Reviews,  Fiction,  Issue 42

    A Review of Michael e. Casteels “Furthermore, the Lake”

    by LIT Social Media Editor, Grace Dignazio

    Michael e. Casteels’s Furthermore, the Lake is a stunning traversal of a haunted cityscape, narrated by a deeply disoriented, unnamed speaker. Straddling prose-poetry and surreal narrative, the text conjures a setting at once recognizable as New York City and then not—rippling like memory itself: unstable, refracted. The narrator wades through subway cars and foggy streets in a dreamlike state of liminality, his identity a muddled reflection.

    The early vignettes usher us into his psyche as he moves through the banal rhythms of daily life—commuting,