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Hybrid

  • Hybrid,  Issue 34,  Poetry

    As Jay DeFeo Paints by Lenore Myers

           “Land of Plenty” by Vera Illiatova

    Deathrose – The White Rose – The Rose  (1958-1966)

    1

    Did your daily attention to paint

    its weight

    its hue in changing light

    its sculptural bulges

    its chasms

    make your painting more

    like words?

    2

    I start in the figure

    as you never did

    although the surface was of immediate concern

    you started in the thing

    itself

    Paintbrush between your teeth

    3

    What defines the figure

    Who says what ground

    The art of FUNK

                The surface all fucked up

      or

                The process of fucking    up

                                     into revelation

    4

    You break it the

    surface

    never lies

    right with you

    5

    By weight,


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