Issue 40
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Blue Tulips
art by Jacelyn Yap
by Abigail Beliles
“Sydney?” Jamie’s voice resonated throughout the empty house.
He bit his lip as he pondered how much longer it would be before she would get home. He knew he had to apologize for what happened that morning, but she hadn’t answered her calls all day. He ignored the tracks from his muddied tennis shoes as he rushed toward the kitchen.
Her key fob was missing from the rack above the back door. The grease-stained dishes lay scattered in the sink.
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Johnny Appleseed
art by Jacelyn Yap
by Katie Harms
Johnny grew up in a tin can trailer with a father who wasn’t a preacher. But his father still preached, and he drove a van hand-painted with God’s Greatest Miracle, the unborn fetus. Johnny was tall and wiry, and his skin was bad—red all over in these great rough patches that peeled away from themselves as if the skin itself didn’t belong on his tired and stretched-out body. And maybe it didn’t; it itched and broke and across his cheeks beneath his eyes were pustules that should’ve been freckles.
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Exilers
art by Alessandro Avondo
by Alice Russell
One.
Downstairs, parallel grooves are worn into wood floor, kitchen chairs dragged out, pushed back. Between the taxidermized heads of a buck and doe, above the fireplace cold with plywood, a garland of red and gold letters spells MERRY. In the corner, Granny’s portrait as a young woman faces a mirror. And at the mantle, a dusty collection of palm-sized birds’ nests, snakeskins, cobwebbed candlesticks, a newly dead bird soft and small.
From her studio upstairs, my mother is screaming: “I can’t hear a word you’re saying.”
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Lost
by Derick Chan
for Pat, at the corner of Prince & Mott
We met one day in SoHo, right across
from Old St. Pat’s Cathedral. Through the crowds
I headed north and late for happy hour,
sharing an urban sense of self-reserve
to hardly hear a stranger’s call, but as
the sun began to sink between the rows
of city blocks I saw you tapping with
your cane against a row of Citi Bikes.
You called, “Can someone tell me where I am?
Can someone help me out?” Averted eyes
in answer: Yes, -
Final Boy Remembers the Boogeyman
art by Stephanie Ann Farra
by Stephen S. Mills
a story told over & over & over until it becomes a shadow of itself / boogeymen thrive / the dead of night / Halloween maybe / most definitely fall / a crunch of leaves / a stick that cracks against a sneaker / that silence of midwestern nights / the ones of your childhood / dressed as a dinosaur/ your mother made / roaming the neighborhood for treats / never tricks / tricks would come later in the heat of Orlando / that Florida humidity / where you spent three nights a week at a gay club/ sometimes in costume / never a dinosaur / sometimes shirtless / chest tight with youth / bones and skin / and a time or two in less / a foam party that was all slick hands &
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from: The Greenland
art by Stephanie Ann Farra
by Ann Pedone
It’s only when we choose
to move through the poem
as we move through the cunt. And I
raise my glass
Invested but sure, but sure, was
scriven, an unplanned
pregnancy, who is the
true mother of my damageI mean no, I said, and my unusually
clean scalp, the pile of teeth
over by the back
door, I had a dream of eroticDistinctions last night, prefacing
my translation from the
original GreekCirca,