Issue 41

  • Issue 41,  Poetry

    IMAGINING OKJÖKULL FROM CASCO BAY

    photo by Allison Guan

    by Julia Morrison



    The tree has too many hands
    for me to trust it’s from anywhere
    but the future

    I keep trying to leave
    you before night
    falls out of my body

    Too many birds
    at bedtime
    I don’t have enough blue left

    for another morning
    Oleander tephra, volcanic ash and glass
    layers of the glacier under the microscope,

    otherwise we don’t see it.
    The noise and snow of the image
    developing,
  • Hybrid,  Issue 41

    Capsular, and Excerpts from a Chat with Godbot

    Image curtesy of The Public Domain Review

    by Christopher Phelps

    Capsular

    My first thought was that I hoped the openings in the volcanic rock of my life would be something other than spider-infested holes, something other than empty time capsules, each with a note of I’m sorry, time ran out.

    My second thought was for the spiders, which I didn’t want to insult. Couldn’t they be relocated to their own traps? Was this a specious logic?

    My third thought was that we’re haplessly in charge of this rock,

  • Hybrid,  Issue 41

    It’s Probably for the Best that I Don’t Remember

    image curtesy of The Public Domain Review

    by Sara Flemington 

     

    I pitched a tent on the beach for Jupe. It’d been a while since I’d pitched a tent, but this one was easy, it just popped up. We picked it up from the outlet mall on the way. So now, it’s like we can go anywhere, I told her. Because we can just walk, and when we are tired, stop, pop up our shelter. So, it’s like we are free.

    Like wolves, she said.

  • Issue 41,  Translation

    3 poems by Saadi Youssef

    art by Catherine McGuire

    translated from the Iraqi Arabic by Khaled Mattawa

    Mukalla, Hadramout

    A bird calls us to prayer,
    as if the clouds here were diaphanous.
    A wooden ship hoists its moorings,
    its sailors wrapped in sarongs,
    their shouts thick in the humid air.
    The ambling steps in the women’s bazaar have gone home,
    and the Sha’hr harbor melts in the sea’s expanse.
    It was dawn, Mihhdar has just finished singing.
    Look at how he lies on the cotton rug fast asleep
    like a tired child.

  • Hybrid,  Issue 41

    Texts to Sarah across the river

    image curtesy of The Public Domain Review

    by Jeffrey Skinner

    Feeble wind, speak up.  I am not the I am.  Important to note.  Work, for night is coming.  And pick up eggs on the way home, pls.  About your losses.  Have you looked in the space between tic and tock?  I lost a few years there, once.  FOFL.  James Wright taught me rivers.  Everyone should call him James, I think.  Formal sadness.  Wonder if the signal between us is fresh?  Kind of mid, maybe?  The river’s a slow learner.  Churner. 

    Sometimes the moon,

  • Issue 41,  Nonfiction

    Never/Ever

     by Laurel Doud and (posthumously) Gregory W. Martin 

     

    You died last year after a three-year battle with Acute Myeloid Leukemia. Six months ago your partner sent me your handwritten journal from 1973, her note reading: Greg put this in the box with his important papers. He wanted you to have it.

    The journal was from the first months of our courtship.

    I never knew such a thing existed.

    In 1973, you were 26, newly divorced,