Online Issues

  • Issue 35,  Poetry

    Aubade For The Sous Chef At Cochon

    By Nikki Ummel

    photo by Wicdhemein One on Pexels

    You are Orion and I am pulled close,
    to lick the salt from your ears.
    WWOZ whispers morning news
    as my fingertips chase freckles,
    play connect-the-dots, search
    your kitchen-scars for constellations
    as the sun rises.

    I like the feel of you.
    Here, in the damp darkness
    of your shithole apartment,
    the handprints of others
    on the wall, above your bed.

    I’m not the first hostess
    you’ve hunted—there is
    a bottle of Wet Head,

  • Hybrid,  Issue 35

    BETWEEN THE ACTS

    by Elinora Westfall

    art "Untitled Portrait" by Elinora Westfall

    Act One

     

                 Royal Court, London

    Front row, middle seat tickets, for The Cane

    Red velvet chairs

    And I can’t see my feet, in the dark, but I can hear the sound

    Of theatre

    Of the side stepped shuffle between seats, and sweets and everyone else’s coats on the arms of chairs

    Of whispers and hushes and the creak of Victorian floorboards between the clink of wine glasses

  • Issue 35,  Poetry

    The Docket

    by Shira Dentz

    photo by Benni Fish on Pexels

    This landing strip has seen many falls—
    shoehorn soft gliding into a shoe
    or curdling against the pressure
    presence of time drifting
    then landing a perfect minimalist
    geometry otherwise known as
    settled like home.

    This landing strip has seen many falls—
    shoehorn left shapely into a shoe or
    curdling against the pressure all
    charisma of time drifting then
    landing a turning minimalist geo-
    me-try otherwise known as
    settled some mummy of home.

  • Online Issues

    LIT 35, Fall 2023

    Featuring an interview with Hannah V. Sawyerr (’22), nonfiction by Clare Cannon (’22), fiction by Drew Anderla (’15), hybrid by Elinora Westfall, poetry by Philip Jason, and art by Juan José Clemente.

  • Issue 34,  Poetry

    Origin Story by Kayla Beth Moore

    Let the waters swarm, She said. And She set the birds to flight and the sea monsters She

    delivered to the deep. Both waters swarmed and She saw that it was good. Let the earth creep,

    She said. Cattle and all crawling things took to the land and the wild animals and the trees and

    the fruits of the trees and the seeds of the fruits of the trees filled the earth, and She saw that it

    was good. Let something very different happen,