Issue 44

  • Hybrid,  Issue 44

    DE FRAGILITATE EXPERTORUM

    art by Loralee Clark

    by Foster Gareau

    DE FRAGILITATE EXPERTORUM: A MAD LIB TOWARD THE CLASSIFICATION OF MAN

    FIELD FORM / DO NOT ARCHIVE INCORRECTLY

    STEP 1 — SELECT DESCRIPTORS (CHOOSE EXACTLY TWO):

    porcelain / brittle / fragile / performative / ceramic / hollow / porous / breakable / calcified / tender / cracked / thin / heterosexual / caucasian

    (write both in the first blank)

    STEP 2 — SELECT SPECIES (CHOOSE EXACTLY ONE):

    homo didacticus / scholaris grandiloquus / expertus maximus / eruditio absurdus / professorius pompatus / doctorus loquacius / homo masculus

    (write in the second blank)

    STEP 3 — COMPLETE THE SPECIMEN:

    (                                                        

  • Hybrid,  Issue 44

    Mirabilis

    art by Loralee Clark

    by Reagan Davis

    Most people have abandoned the old gods, but not my family. We understood that all we had come from our patron’s protection; to deny it was to defy common sense, to abandon reality. As a young girl, I embraced His salvation with such rigidity that even now, so many years later, He follows me everywhere I go. His teachings are branded on my bones and His voice continues to whisper in my ear whenever I feel alone.

    My stepmother was a gifted prophet.

  • Hybrid,  Issue 44

    As I Lived

    art by Gretchen Gales

    by Lila-Josey James

    Content warning: LGBTQ murder

    I’m not dead yet, and the drive is beautiful. We’re on a bright country road. A horse trail really. As children, my Mother told us four to be safe back here! Our county’s roads are ancient Powhatan paths, which themselves were once simple deer trails. Now, there are large gravel rocks where pavement might be in a decade or two.

    Great dust clouds kick up behind Randy’s tires.

  • Hybrid,  Issue 44

    Daughter of Two Maps

    image courtesy of the Public Domain Review

    by Andrea Rehani-Estes

    I was born where the map ran out of patience — first breath taken on a sidewalk that owes nothing to Ashur, in a country that mangles my name into something it can pronounce without effort.

    My mother calls me in her mother’s language and I answer in a third language neither of us chose.

    This is the country I was born in. This is not the country I am from. I have been trying to say this my whole life in a grammatical construction that does not exist in either tongue.

  • Issue 44,  Nonfiction

    Sunrise at Las Vegas

    art by Isabelle Carasso

    by Rob Rogers

    On the morning of my fiftieth birthday, after a blissfully boozy night spent drinking red wine under the stars and skinny dipping alone in my pool, I awoke shortly before six in the morning, fresh from a vision in which I met myself exactly ten years earlier. It took me more than a minute to realize I had been dreaming, and even now it feels more like a memory.

    Like all the best dreams, this one was set in Las Vegas,

  • Issue 44,  Poetry

    Sijo for Space Girls

    art by Johan Cristian Dahl courtesy of the MET Museum

    by Bryane Alfonso

    Christina Koch as Horsehead Nebula
    We followed the shaky lines in the sky, dark and white, watching
    as the stars hid you and told you their secrets. When you returned,
    we asked for the words, but we were too foal-like to follow the sounds.

    ———

    Mae Jemison as Flame Nebula
    Like flame, like bone, you reached out to ephemeral light to find
    the other side.