Online Issues

  • Issue 41,  Nonfiction

    Cachexia

    painting by Robert Rogers

    by Sydney Lea

     

    A friend from the dawn of our boyhoods is cachectic, a word unknown to me until I heard it from a doctor– a friend of similar longstanding– who’d recently seen him. “It just means he’s withering away,” the doctor told me, adding that our mutual pal had also dropped, as if overnight, into dementia.

    I knew that in my own fairly recent talk with the man in question, he had kept repeating himself;

  • Issue 41,  Nonfiction

    Mementos of a Dive Bar Maven

    art by Catherine McGuire

    by Bonnie Darves

    I have a thing about dive bars. I like them, not just a little bit but a lot, and one of my sisters, Anna, is similarly afflicted. My mother accused us of frequenting them for less than noble reasons. “I don’t know why you girls insist on ‘slumming it’ in those places—don’t you know that you stick out like sore thumbs or snobs no matter what you wear?” What’s the point? she wanted to know. How could you tell her, in a way that she’d understand,

  • Hybrid,  Issue 41

    down on the Ol’ Brain Ranch

    photo by Allison Guan

    by John Sullivan

    (A new situation comes into focus.  The bulbous / florid-faced / fake-smiley guy is talking to an empty suit draped over an empty chair.  Talking ardently, even strenuously, occasionally grabbing the suit by its lapels & hoisting it (gently) off the chair to speak to confront the suit (more or less) face to face.  You realize he’s talking to his father.)

    aka “Doc Benway”

    I … I … I always hated how you had to control us. 

  • Hybrid,  Issue 41

    Love in the time of distance; Someone to Carry On With; I am most myself when someone is holding my hand

    photo by Allison Guan

    by Shana Ross

     


    Love in the time of distance

     

    I tell her I have been re-reading Gertrude. She says I would write your autobiography. Referentially.  Unironically. Lovingly. Unwilling to trace possibilities to their dead-ends in the maze printed on the paper placemat, one fingertip at a time over and over until the future has been seen.  A marble run, a domino track, a Rube. Set off and unwatched.  We go about our day but in my ears is the clattering. 

  • Hybrid,  Issue 41

    sike.

    art by Robert Rogers

    by Baraka Noel

    I’m sensitive. A smell can send me spinning. I cry for fiction more than life. Today, I saw this cavalcade of blue-black glistening flies vibrating on a dollop of canine feces. So many eyes kaleidoscoping over shit. So much dog shit on the streets. So much information.

    I guess they call it empathy. As a child, I wished for synesthesia; now I shower in the dark to deprive my senses of context. I’m pretty sensitive. But, that’s not entirely why I wound up in a psych ward.

  • Issue 41,  Poetry

    I CANNOT USE THE WORD MOON

    art by Richard Hanus

    by Penelope Ioannou

    in this poem out of

    respect for the phase

    I am going through. I’ve

    always wanted a New

    England summer with
    
the weeds and the man

    who is by no means

    extraordinary grilling

    bland burgers on the bbq.

    The humidity would be

    sufficient and I would
    
be formidable because I eat

    lobsters and think the stupid
    
corgi is adorable and
    
use this man for his boat

    or his body or his

    stainless steel pan.