Online Issues
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Picture of My Dad in an Aircraft Carrier
photo by Kieth Dodson
by Patricia Aya Williams
December 1970
Dad at a desk turning to face
the camera, left hand on the keys
of a typewriter, right hand resting
on an open drawer, white pencil
lifted lightly, ready to erase
the mistake he’s just made—
one that I can’t see—on the paper
poised in the platen, the clatter
of type his quick fingers command
momentarily stalled.
The carrier’s walls—color of dirty
dishwater, hospital grunge, -
4, 7, 8 (X)
by Jan Clausen
Arrow and bow
You get my drift
No bucket list
I’ll just kick itPurple pansies next to Frick
Bloom in geometric beds
Perky periodontist
Scrapes expensively my teeth
Rather than hamper defeat
People peer at screens, mirrors
Snooze as losses mount, bleed outA rat’s ass, he thinks, chicks don’t give
Regarding the pleasure of men
Dogwoods appear to console us
For magnolias’ departure
Art is not a matter of will
I’m a cunning emergency
Take the Q train, -
About the Artists in LIT 42
On the cover They Should Take the Bait (It Pulls Fists Out of Every Eye) by JJ Cromer
J.J. Cromer and his family live on a small farm in central Appalachia, where they’ve kept bees, geese, ducks, and chickens. Self-taught as an artist, he holds a bachelor’s degree in history and two master’s degrees — in English and library science. His art is held in the permanent collections of the American Visionary Art Museum, the High Museum of Art, the Taubman Museum of Art, and the American Folk Art Museum, -
Droste Effect
art by Helen Hofling
by Samuel Piccone
Someone I love tells me the world is a house
I’m always running into by running from,
that flowers begin staling the momentthey flower, so enough already with the flowers.
A flower is a body, and a body is also a container
for every atom it will never hold—imagine filling a room with so many remainders.
Dear God, enough already. With running. With oblivion
and flowers. Someone I love tells meno one will if I don’t start closing my mouth
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Forward Inside Death Spiral 4
art by Richard Hanus
by Carolyn Oliver
Forsaking every landscape
but this placid plain, their bodies wedskill to physics. Her skull floats
down, risks the ice as ifshe means to kiss his blades.
What kind of love imagineshe could let go of her wrist
he could let go of her
he could let go
he could
he—This is the easiest death spiral.
That year of brief landscapes
my friends’ pity towed meto a little house plunked down
by the bay. -
Veritable
art by JJ Cromer
by Stephen Smith
For Emily
Now it seems further than the past itself,
even outside of time: Barthes and his dictionary,
though we debated if it was his own encyclopedia,
knowing we knew not the answer, the white board
always covered with what seemed the algebra of a life.
We considered it quantum, at best. I failed to get past
Marlon Riggs and his essential question, my legs
each evening folded in a chair on some cold library floor,