Online Issues

  • Fiction,  Issue 41

    Rumors, Threats & Biased Scuttlebutt

    image curtesy of The Public Domain Review

    by Brandon Christopher

    Wilbur didn’t act like a real monkey. A real monkey would never let himself be dragged down a dirty sidewalk on its back, or wear a leash of yellow satin ribbon around its neck without a fight. And a real monkey would never put up with a heart drawn in permanent ink across its own chest, bordered on each side by a W and an E. This was because Wilbur was not a real monkey—at least not a living, breathing, pink-assed kind of real monkey.

  • Issue 41,  Nonfiction

    Learning Human as a Second Language

    photo by Yasser Alaa Mobarak 

    by Meredith Jelbart

    I was an only child. I grew up in a place my father called Island Hill. It was not an island, but a house on top of a hill, in semi-rural Australian bush, around twenty kilometres from Melbourne. There were other children in the general area, but the hill was steep enough to discourage kids from wandering up to play with me; and to discourage me from wandering down and up again, to play with them.

    I was not entirely alone. I had friends.

  • Issue 41,  Nonfiction

    Cachexia

    painting by Robert Rogers

    by Sydney Lea

     

    A friend from the dawn of our boyhoods is cachectic, a word unknown to me until I heard it from a doctor– a friend of similar longstanding– who’d recently seen him. “It just means he’s withering away,” the doctor told me, adding that our mutual pal had also dropped, as if overnight, into dementia.

    I knew that in my own fairly recent talk with the man in question, he had kept repeating himself;

  • Issue 41,  Nonfiction

    Mementos of a Dive Bar Maven

    art by Catherine McGuire

    by Bonnie Darves

    I have a thing about dive bars. I like them, not just a little bit but a lot, and one of my sisters, Anna, is similarly afflicted. My mother accused us of frequenting them for less than noble reasons. “I don’t know why you girls insist on ‘slumming it’ in those places—don’t you know that you stick out like sore thumbs or snobs no matter what you wear?” What’s the point? she wanted to know. How could you tell her, in a way that she’d understand,

  • Hybrid,  Issue 41

    down on the Ol’ Brain Ranch

    photo by Allison Guan

    by John Sullivan

    (A new situation comes into focus.  The bulbous / florid-faced / fake-smiley guy is talking to an empty suit draped over an empty chair.  Talking ardently, even strenuously, occasionally grabbing the suit by its lapels & hoisting it (gently) off the chair to speak to confront the suit (more or less) face to face.  You realize he’s talking to his father.)

    aka “Doc Benway”

    I … I … I always hated how you had to control us. 

  • Hybrid,  Issue 41

    Love in the time of distance; Someone to Carry On With; I am most myself when someone is holding my hand

    photo by Allison Guan

    by Shana Ross

     


    Love in the time of distance

     

    I tell her I have been re-reading Gertrude. She says I would write your autobiography. Referentially.  Unironically. Lovingly. Unwilling to trace possibilities to their dead-ends in the maze printed on the paper placemat, one fingertip at a time over and over until the future has been seen.  A marble run, a domino track, a Rube. Set off and unwatched.  We go about our day but in my ears is the clattering.