Poetry
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A Review of Tony Koji Wallin-Sato’s Poetry collection “Okaerinasai”
by LIT Managing and Poetry Editor, Richard Berwind
The cover of Tony Koji Wallin-Sato’s Okaerinasai depicts a black and white photo of an isolated farm recolored in an off-white ivory and surrounded by the encroaching black limbs of a tree. The square photo sits in a matte white frame with a larger blue border: a piece of art hung up on the wall of a gallery, or perhaps a home. The rest of the collection takes a reader on a journey of the singular, a journey of the collective, and the intricate relationship between both as Wallin-Sato asks us what even constitutes a home through the opening definition of his title.
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I CANNOT USE THE WORD MOON
art by Richard Hanus
by Penelope Ioannou
in this poem out of
respect for the phase
I am going through. I’ve
always wanted a New
England summer with
the weeds and the man
who is by no means
extraordinary grilling
bland burgers on the bbq.The humidity would be
sufficient and I would
be formidable because I eat
lobsters and think the stupid
corgi is adorable and
use this man for his boat
or his body or his
stainless steel pan. -
Verb To Be
photo by Yasser Alaa Mobarak
by Sisary Poemape-Heredia
authored in June
to dance attuned,
after the sun is down.
where the glow is not but a breeze
caressing a nightgown’s scars
under
in town.
un pueblo is a constellation hidden light years beyond
a mansion at the top of a hill,
even if no kings
—especially if no kings—
are throned to be
between the ages of seven and seventeen.
i am king
and at seven needed a hymn
of Andean musing
and love cruising
warmisitay infused, -
Gloucester Dock
photo by Allison Guan
by Maureen Mancini Amaturo
This New England morning wears a grey shawl.
Traffic, lights, store fronts, and footsteps recede with the tide.
A shy sun finds gulls laughing, cackling, and circling pewter views.
Water slaps piers and boat bottoms.
Dories waltz.
Rusted chains hang like necklaces around rigging and pilings
Pitted metal anchors lean heavy.
Faded circles bearing ship names no longer save lives.
Ropes, thick and strong, twined and defined like teen-aged braids
enwreathe coiled hoses, nozzles down, -
IMAGINING OKJÖKULL FROM CASCO BAY
photo by Allison Guan
by Julia Morrison
The tree has too many hands
for me to trust it’s from anywhere
but the future
I keep trying to leave
you before night
falls out of my body
Too many birds
at bedtime
I don’t have enough blue left
for another morning
Oleander tephra, volcanic ash and glass
layers of the glacier under the microscope,
otherwise we don’t see it.
The noise and snow of the image
developing, -
“ZOUNDS!” a review, and an interview with Aleksander Zywicki
by Rebecca Endres
ZOUNDS! does not lallygag. From the moment the raw, clear-eyed book of poems opens, Aleksander Zywicki brings religion and torn flesh to the forefront of his imagery. Consider the transmutation in “The Sign of the Cross” from the first section:
my dead father has risen
his arm to hang
the wrenching Christ
above our dinner table
& my eyes like wounds
are always opened
In this childhood memory, the father figure, who looms over early memories and haunts his son from the grave for the rest of the book,