Issue 42

  • Issue 42,  Poetry

    Self Portrait where lilies are my body and you’re playing me like chess

    image curtesy of the MET Museum Archive

    by Sophie Jefferies

    I am a selfish girl to tell you the truth.
    My blood flows inside my own body and nowhere else.
    I am an indulgent gash on my left finger.
    I am a Victorian maiden, seeping into the walls.

    My blood flows inside my own body and nowhere else.
    I am a chess pawn covered in lily pollen.
    I am a Victorian maiden, seeping into the walls.
    My white nightgown slips sexily off my shoulder.

  • Issue 42,  Poetry

    MOONFLOWER

    image curtesy of The MET Museum Archives

    by Lydia Downey

    There was a perpetual
                residue on our hands.
                            Steamed milk stuck like tar

    as my friend and I scrubbed
                down each closing shift
                            and stole our dinners

    of half-stale, chipped pastries.
                We gave up trying
                            to leave early

    and walked the long path
                to our apartment
                            somewhere

    after ten, when only pheasants
               

  • Issue 42,  Poetry

    The Snow, Slant Ghazal for Winter of 2085

    image curtesy of The MET Museum Archives

    by Linette Marie Allen

     

     

    The snow, a canvas for branch-sprawl, brittle lines—

    a quaking aria breaks them, shivering their bridal lines.

     

    The year grows its teeth, gnashing at our stooped gardens,

    gesturing the leaves we swore could defy bridal lines.

     

    Newsprint burns in the hearth, its stories curling to ash,

  • Issue 42,  Translation

    Cecilia Gallerani

    image curtesy The National Museum in Krakow

    by Martina Clavadetscher, translated from the German by Melody Winkle





    Two gifts

    Enough! That's enough looking!
    Sometimes what I most want to scream into the dimmed hall, across the parquet floor, and straight into their young faces:
    It’s too late for you to see me alive!
    Even though at their receptions and tours, they’re always eager to agree—yes, yes, how true, indeed:
    This woman alone is enough to grasp what nature is, what art is.
  • Hybrid,  Issue 42

    The Peng Paradox

    photo by Charles March III

    by Yutong Li

    Far in the northern darkness there is a fish called Kun, which transforms into a bird called Peng. Riding the whirlwind, it soars ninety thousand li into the sky.

    — Zhuangzi, “Free and Easy Wandering” (adapted)

    Initial Condition

    There is a Peng, riding the whirlwind ninety thousand li into the sky. It flies so high that both the blue heavens above and the earth below are obscured by clouds, making it impossible to distinguish where the sky ends and earth begins.

  • Hybrid,  Issue 42

    Birthday Pie

    image curtesy of the Public Domain Review

    by Josie Braaten

    Rain wasn’t in the forecast for my tenth birthday. I spent the morning walking from room to room—telling myself that by the next window, it would have stopped. It was a Saturday. A lucky day for a birthday. After lunch, I walked the dog.

    We walked through the downpour that, magically, refused to stop. I ducked my head between the macrame gray glass of it & pushed down the dog’s. I steered us around puddles, brushed water off mailbox tops,