Issue 42

  • Issue 42

    About the Artists in LIT 42

    On the cover They Should Take the Bait (It Pulls Fists Out of Every Eye) by JJ Cromer
    J.J. Cromer and his family live on a small farm in central Appalachia, where they’ve kept bees, geese, ducks, and chickens. Self-taught as an artist, he holds a bachelor’s degree in history and two master’s degrees — in English and library science. His art is held in the permanent collections of the American Visionary Art Museum, the High Museum of Art, the Taubman Museum of Art, and the American Folk Art Museum,

  • Issue 42,  Poetry

    Droste Effect

    art by Helen Hofling

    by Samuel Piccone

    Someone I love tells me the world is a house
                I’m always running into by running from,
                            that flowers begin staling the moment

    they flower, so enough already with the flowers.
                A flower is a body, and a body is also a container
                            for every atom it will never hold—

    imagine filling a room with so many remainders.
                Dear God, enough already. With running. With oblivion
                            and flowers. Someone I love tells me

    no one will if I don’t start closing my mouth
               

  • Issue 42,  Poetry

    Forward Inside Death Spiral 4

    art by Richard Hanus

    by Carolyn Oliver

     

    Forsaking every landscape
    but this placid plain, their bodies wed

    skill to physics. Her skull floats
    down, risks the ice as if

    she means to kiss his blades.
    What kind of love imagines

    he could let go of her wrist
    he could let go of her
    he could let go
    he could
    he—

    This is the easiest death spiral.

    That year of brief landscapes
    my friends’ pity towed me

    to a little house plunked down
    by the bay.

  • Issue 42,  Poetry

    Veritable

    art by JJ Cromer

    by Stephen Smith

     For Emily

    Now it seems further than the past itself,
    even outside of time: Barthes and his dictionary,
    though we debated if it was his own encyclopedia,
    knowing we knew not the answer, the white board
    always covered with what seemed the algebra of a life.
    We considered it quantum, at best. I failed to get past
    Marlon Riggs and his essential question, my legs
    each evening folded in a chair on some cold library floor,

  • Issue 42,  Poetry

    This is the maiden all forlorn that milked the cow with the crumpled horn

    art by Helen Hofling

    by Becca Klaver

    never
    in my lucky
    & luxurious
    erased &
    belittled
    american life
    have I ever
    been so relieved
    to be uterus-
    less

    though
    who’s to say
    it wasn’t
    america
    her waters
    flush with
    estrogen
    & fertilizer
    that fed the
    fibroids
    that made
    the pain
    that etherized me
    upon the table

    who’s to say
    the house
    america built
    didn’t cast
    my tissue
    a-wandering
    in the classic
    pioneering
    hysterical style

    little slivers
    of womb
    pricking &

  • Issue 42,  Poetry

    Medicine

    art by JJ Cromer

    by AJ Bermudez

    But of course I want your teeth in my pussy,
    who wouldn’t?what idiot would not want
    your papillae / nail beds / germ-junked saliva all over their holey-of-holies?
    If an altar falls in the woods
    and no one hears it,
    [you know the rest].
    But, Philosapphy 101:
    Can’t a thing be ugly and splendid at once?
    a riled-up mess of sex / longing / medicine
    the way a brain looks on the ground
    If not,