Online Issues
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Three Poems from “Static”
art by Tiffany Babb
by Emily Barton Altman
the birds on the power wires
stretched down the street. French doors.
our plants are particular. I can’t seethe source of the sound.
an abandoned home improvement project.
a bowl of cherries.the whistle of the neighbor’s tea kettle, the low murmur
of inarticulate voices.
it’s a soft sound right now. the bodygets used to the rhythms.
a faint smell of lavender from the closet. it catches me
unawares. -
Self-Portraits as Bestiary
art by Ami Watanabe
by Amanda Gaines
One you is a beaver and a flood is coming. All your fellow beavers say Yeah, of course. There’s always one disaster or another on the horizon. But you are convinced this flood will bring an end to everything you’ve built. You are leaving this colony to join another in two months with your beloved in the hopes that together, you will be able to brace the coming storms as a solid front. You will construct a humble dam where the two of you will groom one another and eat cattails until your bellies distend and watch the eastern sky burn with sequined holes that remind you of all your once-lives.
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Her Lover As Luck Would Have It
art by Stephanie Ann Farra
by Dana Salisbury
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Headshot--
one knobby shoulder higher than the other
narrow torso
tiny wideset nipples
swirling chest hair defining sternum, breast, rib cage
a smattering of old-man arm-hairs
cocked head
big red ears
stringy red neck
scraggly shoulder-length fine light brown hair
only fuzz left on top
high forehead
lightly furrowed semicircular brow
solid nose, long upper lip
craggy cheeks
short scruffy blond and white beard
self-accepting eyes
that look straight at you
narrow lips
wide slightly-cockeyed closed-mouth smile
that would laugh if you will too
*
In the bedroom. -
Barbasol Hologram
by Anastasia Nikolis


Anastasia Nikolis is an Assistant Professor of English at St. John Fisher University. Her academic research focuses on confession and secrecy in post-1945 American poetry, with special interest in poetry and the public humanities. In her creative writing, she explores the intersections of visual art, place and the body. You can find her work in Stone Canoe, Ghost City Review, Arkansas International and Tampa Review.
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In Transit
by Don Schofield
(December 11)
This morning, a Sunday, I was at the Athens airport, flying to California, to you, dear Brother, stopping and starting in a roped-off, zigzag line, waiting to check in. I was sure I’d slump to the floor weeping before I could get to the counter. You were dying, Larry. But I had to focus on the immediate—lift my suitcase, let them weigh it, tag it, toss it to the long, black conveyer belt behind them. Watch it disappear.
At Security I followed blunt orders. Took shoes and belt off. -
Dear Perfect Stranger and Nature Poem
art by Alessandro Avondo
by Gabriela Halas
*Content warning: mentions of unwanted sexual attention and aggression
Dear perfect stranger,
It’s you again! We’ve met before. Though, your face, admittedly, has blurred with the rest. But I know it’s you. You’re the captain on that ship you keep sailing around my breasts, my face, my car, the bar, the beach, the street. You’re posh and shiny, or middle-class, someone’s dad, and once, no— a few times, you were just some young dude leering too close.