Issue 43
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Eternal Questions
art by Soha Kabiri
by Hamed Soleiman Tabar
Translated from the Iranian by Ali Asadollahi

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1 Nude
Deascending a Staircase


Observation
مشاهدهگری
نشستن؛ روبروی آینه و
خیرهگی به دوردست
آیا باز میآید؟
آنکه به تماشای خویشتن رفته…
*
Sleepwalking
خوابگردی
پلهپله میآید بالا اینهمه را بیپاگرد
میآید تا بگشاید دروازهی پلک، خوابگرد
میبیند در خواب، خواب که تمام نمیشوند پلهها
و هم پرسش نخستین را
نشسته بر پلهی پسین
*
Echo
بازتاب
چگونه است سایه؟
بازتاب یک سوال؟
یا خود سوال دیگری که
آفتاب میکند از ما
*
Hallway dark
دالان تاریک
و زندگى:
که دالان سوالى بى انتهاست
· خاصه؛ عشّاق! -
The mÖma Show & The Villa Occupation: A Celebration of the Temporary Museum of Memory Archeology
by bart plantenga with Mark Boswell
~
“The house turned out to be a magnet for objects, where things were valued for their peculiarity, instead of being consumed.”1
1 Adilkno, Cracking the Movement: Squatting Beyond the Media, Autonomedia, 1994. Adilkno (Dutch: BILWET), Foundation for the Advancement of Illegal Knowledge, was established in Amsterdam in 1983. https://thing.desk.nl/bilwet/Cracking/squatting.html.
[Osnabrück, -
The Two Worlds of Playwright L.B. Browne
photo by Olga Prudka
by John Kazanjian
On the eve of her trip to Mackinac Island, Michigan, I ask playwright and novelist L.B. Browne if her new Off-Broadway play, Safe House, reflects anything of her own experience growing up. She obfuscates: “As an artist, it’s difficult not to incorporate your formative years in your art, consciously or subconsciously.” For a moment, I consider pressing her, but instead, I wish her a safe trip. To some degree, I know the answer. Since 2019, we’ve been close friends. We met as students in The New School’s MFA in Creative Writing Program,
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Painkiller, Xaali’s Intervention, and Problem Child
art by Jean Wolff
by Chekwube Danladi
Painkiller
I was only meant to be in Lagos for one week, staying in an American hotel in Ikoyi
overlooking the lagoon. I was there to read poetry and teach a writing workshop on decolonizing
poetics at the British Council, no order to the chaos of the irony. And otherwise order in jollof
and pizza while avoiding any local probing aunties. Swim, cigarette, and Irish stout in the hotel
pool after dark.
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$100 REWARD LEADING TO RETURN OF LOST BIRD
art by Virgil Suárez
by Marc Weissman
If he perches on you or shows up please call Ellie immediately ANY TIME. -Ellie
And if I find you I must stay here with the separate leaves. -A. R. Ammons
What if he shows up Ellie
but I don’tWhat if I find him but he’s no longer
a starling
he’s a star a constellation
the windgrown beyond recognition
into Horus falcon-headed
god of war sky and huntingThat feels too aggressive for a
songbirdWe must find him with haste
he wasn’t ready for releaseI pray for him and you and me
I don’t think I’m ready for another Sudanese war
or Shannen Doherty dead at 53
or inflation in the economic or cosmic sense
or the unlikely event your bird was caught
midair by hawksmaller than a robin
bigger than a sparrowLike so many posters of signs notices
missed connections
you unleash myth and
more questionsAnd if I find him
on Independence Day
with dark and light brown feathers
dark legs and black beakby the blue eggshell
Ford Granada
his trauma
won’t rip me apartAnd if I find him I’ll manifest
a dark cover over him
and all starlings
in and under the stars
lost and found
alighting

Marc Weissman is an East Williamsburg-based poet,
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Embers
art by Trevor Cunnington
by Devin Wilson
We move like ghosts
through the house.Glaciers glide past
each other in silence.The low hum
of a submarinein the distance.
The sound brokenmakes. Cracks in black
ice echo across the life lake.Wallpaper curling
we’ll never fix.Someone should
empty the woodstove.Take the bucket out back.
Be careful of the old canoeand there’s a rusty wheelbarrow,