Issue 43

  • Issue 43,  Translation

    Eternal Questions

    art by Soha Kabiri 

    by Hamed Soleiman Tabar
    Translated from the Iranian by Ali Asadollahi

    ______________________________________

    1 Nude Deascending a Staircase




    Observation
    مشاهده‌گری


    نشستن؛ روبروی آینه و
    خیره‌گی به دوردست

    آیا باز می‌آید؟
    آنکه به تماشای خویشتن رفته…


    *


    Sleepwalking
    خوابگردی


    پله‌پله می‌آید بالا این‌همه را بی‌پاگرد
    می‌آید تا بگشاید دروازه‌ی پلک، خوابگرد
    می‌بیند در خواب، خواب که تمام نمی‌شوند پله‌ها
    و هم پرسش نخستین را
    نشسته بر پله‌ی پسین


    *


    Echo
    بازتاب

    چگونه است سایه‌؟

    بازتاب یک سوال؟
    یا خود سوال دیگری که
    آفتاب می‌کند از ما


    *


    Hallway dark
    دالان تاریک

    و زندگى:
    که دالان سوالى بى انتهاست

    · خاصه؛ عشّاق!
  • Hybrid,  Issue 43

    The mÖma Show & The Villa Occupation: A Celebration of the Temporary Museum of Memory Archeology

     

    by bart plantenga with Mark Boswell

     

    ~

    “The house turned out to be a magnet for objects, where things were valued for their peculiarity, instead of being consumed.”1

     


    1 Adilkno, Cracking the Movement: Squatting Beyond the Media, Autonomedia, 1994. Adilkno (Dutch: BILWET), Foundation for the Advancement of Illegal Knowledge, was established in Amsterdam in 1983. https://thing.desk.nl/bilwet/Cracking/squatting.html.


    [Osnabrück,

  • Interviews,  Issue 43

    The Two Worlds of Playwright L.B. Browne

    photo by Olga Prudka

    by John Kazanjian

    On the eve of her trip to Mackinac Island, Michigan, I ask playwright and novelist L.B. Browne if her new Off-Broadway play, Safe House, reflects anything of her own experience growing up. She obfuscates: “As an artist, it’s difficult not to incorporate your formative years in your art, consciously or subconsciously.” For a moment, I consider pressing her, but instead, I wish her a safe trip. To some degree, I know the answer. Since 2019, we’ve been close friends. We met as students in The New School’s MFA in Creative Writing Program,

  • Hybrid,  Issue 43

    Painkiller, Xaali’s Intervention, and Problem Child

    art by Jean Wolff

    by Chekwube Danladi

    Painkiller

    I was only meant to be in Lagos for one week, staying in an American hotel in Ikoyi

    overlooking the lagoon. I was there to read poetry and teach a writing workshop on decolonizing

    poetics at the British Council, no order to the chaos of the irony. And otherwise order in jollof

    and pizza while avoiding any local probing aunties. Swim, cigarette, and Irish stout in the hotel

    pool after dark.

  • Issue 43,  Poetry

    $100 REWARD LEADING TO RETURN OF LOST BIRD

    art by Virgil Suárez 

    by Marc Weissman

    If he perches on you or shows up please call Ellie immediately ANY TIME. -Ellie

    And if I find you I must stay here with the separate leaves. -A. R. Ammons

    What if he shows up Ellie
    but I don’t

    What if I find him but he’s no longer
    a starling
    he’s a star a constellation
    the wind

    grown beyond recognition
    into Horus falcon-headed
    god of war sky and hunting

    That feels too aggressive for a
    songbird

    We must find him with haste
    he wasn’t ready for release

    I pray for him and you and me
    I don’t think I’m ready for another Sudanese war
    or Shannen Doherty dead at 53
    or inflation in the economic or cosmic sense
    or the unlikely event your bird was caught
    midair by hawk

    smaller than a robin
    bigger than a sparrow

    Like so many posters of signs notices
    missed connections
    you unleash myth and
    more questions

    And if I find him
    on Independence Day
    with dark and light brown feathers
    dark legs and black beak

    by the blue eggshell
    Ford Granada
    his trauma
    won’t rip me apart

    And if I find him I’ll manifest
    a dark cover over him
    and all starlings
    in and under the stars
    lost and found
    alighting


    Marc Weissman is an East Williamsburg-based poet,
  • Issue 43,  Poetry

    Embers

    art by Trevor Cunnington

    by Devin Wilson

    We move like ghosts
    through the house.

    Glaciers glide past
    each other in silence.

    The low hum
    of a submarine

    in the distance.
    The sound broken

    makes. Cracks in black
    ice echo across the life lake.

    Wallpaper curling
    we’ll never fix.

    Someone should
    empty the woodstove.

    Take the bucket out back.
    Be careful of the old canoe

    and there’s a rusty wheelbarrow,