Issue 43
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Thirst
art by Stephen Ground
by Jesse Wallis
For the bit of moisture in a dove chick’s brain,
the Gila woodpecker has been known to drill
through the soft skulls of unattended nestlings
while their parents gather seeds. Defenseless,
the chicks are still alive while this is happening.
The brooder mourning doves return to carcasses.
Its forked tongue having never tasted the bitter-
sweet, fleshy fruit of the Tree of the Knowledge
of Good and Evil, the woodpecker lives outside
the airy sphere of right and wrong. -
f train to Roosevelt Island
art by Trevor Cunnington
by J. Y. Zhang
in black tunnels the world slows to molasses
everything subsonic, the yellow lights drunk and feverish
flickering across the rusted tracksyou—a knife through the city again
blue dot blinking then gonecutting through, putting distance:
velocity in your tongue and smoke
in your unwashed hair
urine on the tiles, the soles of your feetthe fact of motion is simple:
you are headed somewhere
or your body is—but there’s a moment on the line
when twin trains run parallel
& -
The Hunt
art by Nora Ampova
by Elena Alexieva.
Translated from the Bulgarian by Yana EllisThe fire engine arrived first. The dirt track, which the locals called Kokiche Street, was too narrow for it. The fire engine was like a toy – red, shiny and rectangular. The track wasn’t muddy, just dusty and overgrown with tall grass and all sorts of weeds. It trailed off in a self-proclaimed small dump for building materials, beyond it lay only the meadows. Even when it was silent, the fire engine commanded respect. Inside it sat four firefighters in dark-blue overalls,
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Rooms at the Edge of the World
art by Beth Kephart
by Choo En Ting


Choo En Ting is a Singaporean writer & editor based in Los Angeles. His work has been published or is forthcoming in Sonora Review, Literally, The Foundationalist, Kopi Break Poetry, and elsewhere. He won the USC Undergraduate Writers’ Conference in his sophomore year, and he was awarded a scholarship from the New York State Summer Writers Institute. He has received support from the Bread Loaf Writers’ Conference.
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Nothing Stinks Like Lust in a Young Woman
art by Virgil Suárez
by Hajer Requiq
Nothing stinks like lust
in a young woman.
My cannibal heart is drunk
on its own blood.
For nearly thirty years,
it’s eaten nothing but shame.
Today, it sits in my chest
like a hump on a hunchback,
useless and heavy.
I am still teaching the tornados
in my body
to turn into summer breeze.
My last lover couldn’t make it
past my mouth.
My Cerberus tongue
howling and yowling
at the gate, -
Knox, and Breakfast Sundaes
art by Virgil Suárez
by Taylor Sykes
Knox
We take Route 231 that day to a nowhere town an hour away. We’d heard it was something to do in
the summer when there was nothing to do in the summer. She says, “I don’t think I’ll do it but I’ll
watch you.” And I say, “You better get this shit on tape. I want a record of my recklessness.” Just
another corn town on a yawn of flat road where country kids go when they’re bored.