Issue 43

  • Hybrid,  Issue 43

    Arts and Crafts

    art by Virgil Suárez

    by Steven Dampf

    I forage for leaves and fallen bark in the park. Looks like an old face. I’ll make a sculpture, and become acquainted with it, the shedded skin from the still-breathing cherry blossoms. I’ll lay the pink flowers over a plate of paste and dry it into paper for my poetry, and melt whatever’s left into soy wax for a candle. Light it during my moments that turn out as defining moments, and one day associate the aroma with this stage in my young life.

  • Hybrid,  Issue 43

    My Father, Still

    by JV Dias

    art by Virgil Suárez

    January 8, 2023[1] 

    I – 09:15 AM – WAKE UP!

    My father enters the room in a disordered manner. The door swings open with excessive force, slams against the wall, then recoils a few inches, trembling before surrendering to the weight of its own wood. The impact tears me entirely out of sleep. I do not wake gradually, but all at once, my body rigid and my heart racing from the shock. For a few seconds,

  • Hybrid,  Issue 43

    Anthems in Prose

    art by Virgil Suárez

    by Forrest Rapier


    Forrest Rapier has poetry and prose forthcoming in 2River and Midway Journal. His debut collection, As the Den Burns, was published by Texas Review Press in 2022. Recently, he received the Dean’s Award for Doctoral Excellence at Florida State University and he is a finalist for the 2026 Apogee Poetry Chapbook Award.

    Instagram: @forrest.rapier

    Virgil Suárez was born in Havana,
  • Issue 43,  Poetry

    After the Rabbits

    art by Virgil Suárez 

    by Lex Williams Page

    A year passed before I finally noticed
    the rabbits missing from the yard.

    After spring came & went & with it the grass
    & the mowers & my duty to this earth—

    the question of the garden,
    whether I would tend to it this year—

    & last summer’s strawberries nestled in beds
    of cocoa mulch, budding again & needing new nets,

    all uneaten, when April arrived,
    & even in June.

  • Fiction,  Issue 43

    Redhead

    art by Reena Choudhary

    by Matthew Partney

    My mother was abducted from the Free and Sovereign State of Tamaulipas in Northeast Mexico in 1964. She was one of three. Her older sister was abducted with her, but did not survive the journey north. The bounty placed on them allowed for an acceptable level of attrition. 

    My mother’s sister was just the cost of doing business. She never saw her younger brother again. 

    My mother told me the only thing she brought with her was her name.

  • Hybrid,  Issue 43

    The Fittest

    art by Gregory Stump

    by Michael Murphy

    Nate and Lily have everything they need. In bed, on screens, they comfortably receive, blanketed in a surety that nourishes them, umbilically bound to the ether. Telework, telehealth, telelife. Add to cart, buy now, deliver today. Desires form, are filled and forgotten, footprints in the sand swept to sea.

    Their apartment is bedroom, kitchen, and living room in one. It is capsule and craft sailing true through the all-against-all. A button push or click of key and onward in a woosh of serene.