Online Issues

  • Fiction,  Issue 43

    Redhead

    art by Reena Choudhary

    by Matthew Partney

    My mother was abducted from the Free and Sovereign State of Tamaulipas in Northeast Mexico in 1964. She was one of three. Her older sister was abducted with her, but did not survive the journey north. The bounty placed on them allowed for an acceptable level of attrition. 

    My mother’s sister was just the cost of doing business. She never saw her younger brother again. 

    My mother told me the only thing she brought with her was her name.

  • Hybrid,  Issue 43

    The Fittest

    art by Gregory Stump

    by Michael Murphy

    Nate and Lily have everything they need. In bed, on screens, they comfortably receive, blanketed in a surety that nourishes them, umbilically bound to the ether. Telework, telehealth, telelife. Add to cart, buy now, deliver today. Desires form, are filled and forgotten, footprints in the sand swept to sea.

    Their apartment is bedroom, kitchen, and living room in one. It is capsule and craft sailing true through the all-against-all. A button push or click of key and onward in a woosh of serene.

  • Hybrid,  Issue 43

    Route to Hever Station

    art by Gregory Stump

    by B. Anne Kalicki

    HEAD SOUTH ON HEVER RD TOWARD UCKFIELD LN

    0.3 mi

    Hever Castle was resplendent – too much of what you expected. The crawling ivy, swans in the moat! The one thing you could have done without was the life-size replica of an adult Anne Boleyn. The castle was her childhood home, and you wanted to imagine her there as a child. Her appearance is your access point into her, after all. Getting there was easy enough,

  • Fiction,  Issue 43

    The Big Sweep

    art by Gregory Stump

    by Patrick Browne

    My grip slicks the shopping cart’s red plastic handlebar with sweat. Karen and Bob have already disappeared down the aisles with the ten- and fifteen-second headstarts that Dick’s earlier blunders handed them. I should have known not to bring him. In twenty years of marriage, the man can’t have stepped foot inside a supermarket more than a dozen times. He didn’t get a single question right during the Price Guess or the Product Name Scramble. Not one. Might as well have shown up blindfolded and sedated.

  • Issue 43

    Letter from the Editors, LIT 43

    photo by Andrew Velzquez

    The word “nostalgia” is derived from two Ancient Greek words: nostos and algos. The former word can be translated to the concept of “homecoming” such as that of Odysseus in the Odyssey, but overall describes the journey of a hero to their home. Around the same time that Homer was writing down his version of The Iliad and The Odyssey, other rhapsodes were writing their versions of the Trojan War down as well, resulting in a full cycle of epics starting with The Cypria and ending with The Telegony though Virgil would later cap off the Trojan Cycle with his Aeneid.

  • Issue 43,  Poetry,  Review

    A Review of Lara Chamoun’s debut chapbook “Bleeding Ghosts”

    by Rebecca Endres

    Lara Chamoun’s Bleeding Ghosts opens with the image of a scar, and thus begins one of the themes that will haunt the reader for the rest of the book. “It faded to a whisper after your first words squeezed through your throat, slimy and strangled” Chamoun writes.

    Slimy and strangled indeed: the collection, written primarily in second person and featuring characters who would feel at home in an Edgar Allen Poe short story, displays again and again the difficulty of voicing things: hurt, elation,